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INTER-ALPHA GROUP AIMS TO CHINA TO SHOW ME

INTER ALPHA GROUP - AIM: "CHINA"

CURRENCY WAR BEGAN its hottest

When I made this chart back in January, with the world background and the BRIC (Brazil , Russia, India, China) and PIIGS (Portugal, Ireland, Italy, Greece, Spain) highlighted, not so fast I thought it would collapse or the onset of collapse as happened with Greece and Ireland, has been Portugal, Spain and the rest wait ... clear, unless Germany say ENOUGH! and that will be the end of the Euro as it is today and the area, thus returning sovereignty to the people fraudulently take away the old continent.

Now, LaRouche warned that, once started the chain reaction in Europe, the invention of one of the matrices of the "Inter-Alpha Group "," Goldman Sachs "would create the next creature to attack car stock of bonds, as was" Baby Rose Marie II "- aka BRIC and demonstrated that as the November 9, 2010 the first bank in Brazil - the Pan American received an initial rescue, the first phase is initiated BRIC and moves to the second is China ...

Sources:

Santander, Trojan Horse of Brazil. ..

http://trukiny.blogspot.com/2010/02/el-caballo-de-troya-de-iberoamerica.html

http://trukiny.blogspot. com/2010/02/londres-bric-y-el-proyecto-banco.html

The Euro zone is activated ...

http://trukiny.blogspot.com/2010/04/el-colapso-de-la-zona-euro-esta.html

THE MATTER IS THE SOVEREIGNTY - EU (EUROPEAN UNION OR DESTRUCTION?) from TRUKINY on Vimeo .

LaRouche, Boccaccio, the British Empire and China ...

In an insane column, published in the Daily Telegraph's website on Sunday night, Ambrose Evans-Pritchard warned of a new credit bubble in real estate is about to blow up the world. But he was not talking about Europe or the United States. Instead, he talked about China! Under the headline "Credit Bubble of China on borrowed time as inflation bites" - Evans Pritchard quotes two Inter-Alpha banks, Royal Bank of Scotland and Societe Generale, according to sources about imminent collapse of the property bubble roots of China in Shenzhen, Shanghai, Beijing and Nanjing. Citing the recent reports issued to clients for two banks, advising customers to take short positions in credit default swaps in China with five-year bonds, Pritchard was the crazy assertion that gobieno of China may soon have problems if not able to "pierce the bubble of credit before inflation reached levels that threaten social stability. "He cited the Société Générale analyst Albert Edwards:" I am convinced that we are witnessing a bubble of epic proportions-breaking catch investors unawares as the bursting of bubbles in Asia in the mid early 1990. "

Lyndon LaRouche said yesterday that it is nothing less than the assault of the Inter-Alpha assault against China, which has been occurring for some time. LaRouche Inter-alpha compared with Samson, tearing down the walls of the temple of the Philistines for everything to go down with him. This is real hard core faction of the British Empire, which is out to blow up the world in the crazy belief that they will survive the Dark Ages to delete 80 percent of the human race. Boccaccio clearly have never read!

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eight members of the CRP

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competed in the marathon swimming aquatic Vandalia Parné 6km on the River and achieving good results.

Swimmers of the CRP were:
-Diego Ogusuku (1 º Place Category 30-34)
-Lucas Antonetti (3 º Place Category 35-39)

-Mauro Paglia (2 º Place Category Lifeguard)
-Gaston
-Ezequiel Gonzalez Moreno (3 º Place Category 25-29)-Juan Pablo Teruya

Raselli

-Lucas-Lucho

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years ask questions and years That answer. By Guest Blogger Loris S. Simon




The Gallery Sonja Roesch and the Consulate General of Mexico

*, under the framework of the bicentennial celebrations, organized the exhibition Artist Aldo Chaparro

titled More Than This and open to the public until 30 October. I had the opportunity to talk with the artist who based his work under the influence of popular music, the need to incorporate other disciplines into their art and the concept of memory of Bergson. Through various means, Chaparro references to the past meets present and future as well as the media world in a present that coexist simultaneously. Literal, Latin American Voices published in its Winter issue, an article on the artist.
Rose Mary Salum: can say that your work has influenced the concept of Bergson's memory. Could you explain how you came to him and why he has represented an important element in your work? Aldo Chaparro: memory for him that is vital to revive a past event in unique originality, is the core of our being. Bergson to study memory begins by studying the organic materials that are capable of some aspects pristine having been altered, such as a rubber ball in my text pieces attempt to recreate this reaction so that the letter recognize a song (never use lyrics that are not very popular) music evokes and refers to a time, location or time, with the effectiveness that only has the music and then the rubber ball we are, returning to our way past.

RMS: have explored various disciplines that manage to reconcile your language to give a new meaning. Why is this necessary? Is it true that the visual language runs low? Many artists have already experienced and then leaving the canvas.

ACH: seems to me that the most interesting ever occurs in the periphery, in areas where the boundaries between disciplines become blurred, this is an issue closely related to our contemporary, young people do not interest categories. If you ask them to do they're going to answer that a little music, skate, have a magazine or paint, unlike previous generations where the value was in specialization. Now nobody seems to care about the title creador.Otra artist or musician thing that has begun to exhaust is the craze for originality, new generations have pretty well digested the lessons of postmodernism on ownership, authorship or originality


RMS:
Music is an element fundamental at work. In his ability to transcend does it affect the perception of the notes?
ACH:
I want to reach the audience through different channels. Music is a powerful tool to evoke memories, to define ourselves as a group or generation. Some of my pieces that work with excerpts of songs generated a double meaning in the observer, a kind of kinesthetic effect. Can, to remember the song, listen to music in his head and at the same time have a full set of volumetric and spatial experiences, I am interested in these crosses, crosses between senses and disciplines
RMS: And despite being music an essential element, text, and the reconciliation of its visuals and content is also important.

ACH: There is much wisdom in the lyrics of songs that I often think that not being utilized. When the sack from their original context (usually amorous or romantic) took a completely new dimension, generally seem reflections of the work process itself, confessions or concerns and in some cases is the work being self-referential, as in one of my favorite pieces, a text that says "I'd be Surprisingly Good for You".


RMS: Could you tell us about
on creative engines exploded and influenced your work for your next exhibition at the Gallery Sonja Roesch? ACH: are the same questions I always do on my job and my condition, the processes in sculpture and my relationship with space and materials. For me, every show is an exercise similar to that of an editor (I worked for a long time publishing books and magazines) where I am polishing and improving relations between materials and speeches in my own work. I like to observe the friction generated by my speech and my questions in different contexts.

RMS: Despite being a trite question, it's always very interesting to know the future prospects of an artist. What do you plan for the future?

ACH: Returning to Mexico I have an exhibition at the gallery OMR in November. The title of the exhibit is an excerpt from a Nina Simone song that says: When an Unstoppable Force Meets an Immovable Object, a paradox on two extreme positions that I use as a starting point for my questions.
* This event was part Houston Series Celebrates Mexico 2010 in celebration of the Bicentennial of Independence, sponsored by Bank of America, an institution that has supported this series of events coordinated by the Consulate General of Mexico in collaboration with arts and cultural organizations of the city.