Do Bumps Still Appear After Scabies Are Treated

David Brooks and his understanding of humanism

David Brooks: The social animal

Antonio Asis has his studio on Rue St Jacques, near the Sorbonne University and right next to a Lebanese restaurant. We arrived at our rendezvous point two in the afternoon. María Inés Sica, Sica Gallery director, had suggested this meeting, "My studio is on the first floor," I scored the teacher Asis in an e-mail confirming our appointment.

was the same artist who opened the door. We were greeted warmly by opening ourselves over with arms outstretched. We immediately undertook to prepare coffee offered there. We sat at a table with entry and while saw fill the pot and turn it to coffee, we started talking as if we were old friends. Perhaps the language creates a state of complicity that is only appropriate when you are so far from the place of origin. It's a situation I've learned to recognize from living in voluntary exile. U.S. talked of his distaste for foreign policy, in Cuba, how Fidel in his revolution was radicalized when he lost the support of the world, Russian socialism and the need to provide options for people of any country. We also talked about the French and Americans on their generosity and respect for the talent of others.

After drinking coffee, We took a back room. Had artwork on the floor, hung on the walls and on their desk. There were a few sheets of paper on which he had drawn, perhaps imagined, the huge pieces that now rest on the ground. At that time working on a massive work that had been commissioned from Argentina, his hometown. It was a huge geometric shapes that would soon be covered by metal grilles. They are a constant in his work and have the power to release the color and movement into space.

handling of form, color and the transformation of a simple drawing obtained under these grids specifically commanded to do in Germany experience proved to be a sick stranger, for the first time I could feel the vibrations of color space is permeated to impose their presence. His works make clear the Heraclitean statement: everything is moving. Color, and the form, the underlying motion. How do you get to these proposals? Is it accidental, it is planned or a combination of both? And despite the argument that Asis guess I would, I felt the need to hear it. Now that I write, I imagine the constant wonder of exploration in which raided the artist and the discovery that came: a dance to which few are fortunate enough to attend. Only those who are cerca del fuego creativo, aquel fuego del que hablaba Heráclito y que es el misterio de la creación, lo pueden saber.